Just kidding, our author Rebecca Gowers' heart isn't in a twist. Instead, she's written a book called The Twisted Heart, and provided us with this lovely, engaging piece for The Savvy Reader about making the complex and diverse parts of the novel work.
Putting the Pieces Together
The Twisted Heart was a real challenge to construct. Right from the start I knew I wanted to combine elements that would usually be found in separate books. It would be based around the unfolding of an imaginary 21st-century romance, but it would also explore the genuine puzzle of a horrendous murder from the 1830s. It would be fiction, but my fictional characters were going to be pursuing a non-fiction crime thread. Charles Dickens would be the focus of the real-life crime puzzle, but I would covertly lean on Jane Austen for my romantic plot. On top of all this, The Twisted Heart was going to be a sort of university novel -- worse still, one set in Oxford.
These ingredients were potentially defeatingly at odds, but my wish was to make them play off each other, and speak to each other, in interesting ways. I intended nineteenth-century concerns about fact, fiction, and truth (whatever that is) to be integral to the novel, and planned to question the entertainment value of extreme violence, partly through dishing it up myself. Meanwhile, I was hoping to create a book that readers could find sheerly enjoyable. Although a lot of thought would go into the book, I didn’t want this to trouble the person who wasn’t inclined to stop and wonder about it.


